HUL335: Difference between revisions
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== HUL335 : Indian Theatre == | == HUL335 : Indian Theatre == | ||
Allocation Preferences : HUL231, HUL232, HUL235, HUL236, HUL237, HUL240, HUL239 This course will study the various aspects of Indian theatre. The linkages between ancient theatre forms and existing forms of indigenous performance in various parts of India – such as the nautanki, the tamasha and the jatra. The energies which were generated in the urban centres through the encounter with European drama – the Parsi theatre, the nascent Marathi stage, the Hindi theatre of Bhartendu Harishchandra and the nationalist theatre of Calcutta – will be explored. Special attention would be paid to the transformation of theatre values with the intervention of the Indian People's Theatre Association (IPTA). The focus for the post-Independence period would be on the diverse energies of urban theatre, group theatre and the ‘back to the roots' movement. The course would require students to study play-scripts as well as look at accompanying literature to form a concrete idea of the philosophy behind Indian theatrical practice. | Allocation Preferences : [[HUL231]], [[HUL232]], [[HUL235]], [[HUL236]], [[HUL237]], [[HUL240]], [[HUL239]] This course will study the various aspects of Indian theatre. The linkages between ancient theatre forms and existing forms of indigenous performance in various parts of India – such as the nautanki, the tamasha and the jatra. The energies which were generated in the urban centres through the encounter with European drama – the Parsi theatre, the nascent Marathi stage, the Hindi theatre of Bhartendu Harishchandra and the nationalist theatre of Calcutta – will be explored. Special attention would be paid to the transformation of theatre values with the intervention of the Indian People's Theatre Association (IPTA). The focus for the post-Independence period would be on the diverse energies of urban theatre, group theatre and the ‘back to the roots' movement. The course would require students to study play-scripts as well as look at accompanying literature to form a concrete idea of the philosophy behind Indian theatrical practice. | ||
Latest revision as of 16:36, 14 April 2026
| HUL335 | |
|---|---|
| Indian Theatre | |
| Credits | 3 |
| Structure | 3-0-0 |
| Pre-requisites | Any Two courses from HUL2XX category |
| Overlaps | |
HUL335 : Indian Theatre
Allocation Preferences : HUL231, HUL232, HUL235, HUL236, HUL237, HUL240, HUL239 This course will study the various aspects of Indian theatre. The linkages between ancient theatre forms and existing forms of indigenous performance in various parts of India – such as the nautanki, the tamasha and the jatra. The energies which were generated in the urban centres through the encounter with European drama – the Parsi theatre, the nascent Marathi stage, the Hindi theatre of Bhartendu Harishchandra and the nationalist theatre of Calcutta – will be explored. Special attention would be paid to the transformation of theatre values with the intervention of the Indian People's Theatre Association (IPTA). The focus for the post-Independence period would be on the diverse energies of urban theatre, group theatre and the ‘back to the roots' movement. The course would require students to study play-scripts as well as look at accompanying literature to form a concrete idea of the philosophy behind Indian theatrical practice.